Simulacrum A Ranma 1/2 Fanfic by Alan Harnum This copy of the story is from my centralized fanfiction archive at http://www.thekeep.org/~harnums/fanfic. I can be reached by e-mail at harnums@thekeep.org All Ranma characters are the property of Rumiko Takahashi, first published by Shogakugan in Japan and brought over to North America by Viz Communications. Author's Note: This will make little sense if you aren't familiar with the manga up until at least Volume 37. ********** Simulacrum: n. (pl. -ra). Image of something; shadowy likeness, deceptive substitute, mere pretence. [f. L simulare (similis: like)] ********** "It's okay, Akane. It's just dreams again." His voice is there, on the razor's-edge between waking and sleeping, that terrifying sensation you only sometimes feel, like the sensation of falling that snaps you wide awake even though you're lying down, and like always, it is his voice that brings me back. "It's okay." He's a dim shape next to me in the bed, sitting up with one knee pulled nearly to his chest, the covers draping him from the waist up. He has his hand on my shoulder, gently massaging it. He reaches down with his other hand and brushes away a track of tears from one of my face. "Same one, huh?" I pull myself up slightly, and mutely nod. "Oh, honey," he says, wrapping his arms around me. "Ah geez. Did you forget to take your pills last night?" "Of course not," I snap, trying to replace fear and uncertainty with the more familiar anger. "Do you think I'm stupid or something?" "Sorry," he says quickly. That's how it's been between us for years now; my temper's gotten little better, but he's relaxed and mellowed slightly. Like always, when he apologizes, I look at those last few seconds and realize that he's only concernd, only looking for an answer. "No, I'm sorry," I say, tightening my grip around his waist and lightly kissing his collarbone. "I'm just..." "I know," Ranma says, running his fingers through my hair. "I know, Akane. Don't worry. I know." Twenty years last August. Twenty years married, twenty years with the same dreams and nightmares. Never any others, and not often anymore ever since the pills started, but always the same ones. I've told him about the nightmare part of it. I've never told him about the dreams that always come before, because the contrast is so pure that I know not what to think of it. I've read that flying is the most common subject for a dream. And yet even though books say it should seem utterly real, somehow even the dreams I have seem too real. They are the best dreams I have ever had, the most pleasurable, and unlike the nightmare, they are always radically varied. Different landscapes, different vistas of clouds and sky, a change in temperature, snow fresh-fallen on the ground. The ground speeding by below in a swirl of colours, the wash of air across my body, the unfamiliar landscape of sharp-peaked mountains... It is like I am there. In the dreams it seems as real as day or night, and each time I awake the memory is as of life and not of a dream. As is the nightmare that always follows. I am never sure of the transition between the glorious dreams of flight to the nightmare. I've sat down and thought for hours, running over the two in my head, trying to find that point where dream becomes nightmare. I know it comes somewhere, and I do not know where. But always the dream is followed by the nightmare. It has changed over the years, actually. Not the tremendous variety of the flying dreams, but it has changed, adapted itself to the reality. At first, when they began, it was only his face horrified before me, as I stretched out talons to grasp at him. As the children came, they were added. First Ryoichi, going over the years from an infant in his father's arms, his face awail with terror, to a toddler clinging to Ranma's legs, eyes wide with fear. By the time two years has passed, he is bigger, but he still clings to my husband's legs in the dream and cries, as I reach out for him with questing claws, a mocking parody of a mother's embrace. And Katzuko is there now too, held in Ranma's arms like Ryoichi was before, not crying, only staring, tiny face pale, eyes wide, mouth pursed in an O. It's another common theme, Tofu and the other doctors have said. The fear of rejection, the fear of bringing injury to one's family. The only strangeness is the constant repetition. Take these pills and the nightmares will go away. Over the years they've grown, in the life and in the dream. Seventeen and fifteen, my children are. Ryochi is much like his father at that age, although his edges are smoothed a little, and he's parlayed that inexplicable charm into a seemingly endless succession of dates that never seem to go anywhere. Katzuko reminds me of a weird mixture between my two sisters, combining Nabiki's manipulative nature with Kasumi's desire to keep everyone happy. And of course, she knows best what makes everyone happy; she's constantly bothering any girl Ryochi brings home and trying to find out if she is, as she's put it "the right one." What she intends to do when she finds the right one is anyone's guess. "You feel like going back to sleep now?" I shake my head. The memory is too clear, too awful. "I can't. I..." "Shh... it's alright," he says gently, kissing my hair. His breath whispers against my ear. "I know. But it's a big day tomorrow." "I'll try to sleep," I say. "Don't feel you have to," he says. "Look, why don't you go take a bath? That'll relax you." "Sounds like a good idea," I say. "Wanna join me?" He stiffens slightly. "Maybe some other time. I gotta be rested up for tomorrow." I give a mock sigh of regret that covers the real disappointment. "I'll hold you to that." Sliding my legs out from under the covers, I stand up in the darkened bedroom, the dim light peering in under the door and the full moon outside giving a little illumination. He's still sitting up in bed, watching me. I smile and reach up, edging one strap of the nightgown down my shoulder. "You sure?" He groans and lies back. "Akane, I wanna sleep." I sigh again and grab my robe from where it hangs on the door. "Don't know what you're missing." He mumbles something in response that I don't hear. I can't really blame him, of course. Tomorrow is a big day for us; old friends visiting, but more than that. Every year on tomorrow's date, Shampoo and Mousse come back. For twenty years they've done it, without fail, except in that one terrible year during the Fragmentation. Tomorrow will be the twentieth anniversary of Cologne's death, but it is even more than that as well. They have a cure. A real one, it seems, this time. They both say they no longer suffer from the Jusenkyou curses. They didn't go into specifics, and it took a long time to convince Ranma it might work this time. Twenty years of disappointments have given him, at last, a cynical attitude towards any possible cure. No one knows how the Jusenkyou pools really work; according to Plum's research, a mixture of curses produces entirely random results. Sometimes it cures you, sometimes it melds the cursed forms together. In a few instances, the strain becomes too much and the subject dies. Faced with those realities, everyone has kept the curses they hold. I know they long to be rid of them, especially Ryoga. The silence in the room that falls whenever he changes in front of me is awful to behold; I forgave him long ago, but I don't think Akari ever did entirely. And he's never forgiven himself. As I walk down the stairs of the house, careful not to make too much noise and wake the children, I remember how it was Cologne's death that changed everything. Her and Happosai's, although there's no one who mourns his death, not after what he became and why he became it. Ranma burned the scrolls after he found them. He said there were some techniques that should be lost to the past. He told me many years later he wished his father had done the same with the scrolls for the Umisen-ken and the Yamasen-ken all those years ago. Ryu Kumon took out an entire office building in Yokohama four years after he first showed up here, before the police brought him down with snipers. His mind had snapped completely; he was demanding the secret scrolls from the hostage negotiators, and when the police made their raid he ripped the foundations of the place apart and killed nearly four hundred people, most of them when the building collapsed. There's a news film of him, taken from a helicopter. He climbs out of the rubble of the building and screams at the sky. His eyes are blank as moons, and there's spittle and blood running down his jaw. His clothes are little more than shreds from the collapse of the building; in one corner of the picture you can see a woman's hand with red-laquered nails poking out from beneath a chunk of masonry. He looks up, and sees the helicopter, and a smile comes onto his face. Then he points his arm at the camera and the perspective goes insane. He took off the back rotor with one of his blasts; the last shot before the helicopter hits ground is of the bullets seeming to strike him from every angle. The film survived; the crew didn't. Genma couldn't face himself after that, or anyone. It was like a revelation for him; all the things he'd done wrong in his life seemed to catch up with him all at once, brought down on his head by the fall of a building and the loss of twentyscore lives to a young man that he set on the path towards madness. He left without a word; none of us ever saw him again. We don't know if he's alive or dead. In the scrolls that we found in Happosai's room after his death were the secret of his longevity. Cologne's had been a combination of good genetics, exercise, meditation, ki techniques and a sheer, stubborn refusal to die. Happosai's had been something far, far worse. Every year, the thing he'd made his pact with took a little more from him, took away a little more humanity, gave back a little more of itself, a slow slide into damnation. It took from him what made him human, and it gave him back immortality. And then it took his soul. The thing inside Happosai's frame nearly killed us all, before Cologne took it, herself, and half a block of Nerima out with a ki technique that produced the equivalent of a contained nuclear explosion. There was nothing left beyond a crater a hundred feet deep at the centre. I remember watching the fight, the two of them dueling amidst the devastation of the buildings that the battle with whatever was using Happosai as its vessel had left. We'd been taking the wounded out, leaving Cologne to fight it alone. Ryoga had a gash across his head that had rendered him unconscious from where he'd been hurled headfirst through a window, three inner walls and another window, and Shampoo had been slowly bleeding to death from a gaping wound in her stomach. She still has the scar from it. Ranma was carrying Ryoga, his face covered with ash and soot from rushing into the flames to drag him out. Mousse had Shampoo in his arms, whispering prayers under his breath as he ran for the ambulances we could see in the distance. I was trying to help Kodachi run; her left leg had been nearly shredded down to the bone by shrapnel from when the thing that looked out from behind Happosai's eyes had blown the car she'd been crouching behind to pieces with a wave of its hand. Tatewaki was cradling his half-severed arm as he ran beside Ukyou, his face ashen from blood loss. I looked back to see the thing which Happosai had become smash Cologne facefirst into a concrete wall. It turned and hurled her nearly fifty feet; she bounced just once on the pavement and shattered glass and lay still, a tiny, withered form in a brown robe stained red from dozens of wounds. I can still remember what the thing's laughter sounded like even now, a triumphant sound, utterly inhuman and mad with the insanity of a caged predator finally unleashed. It came forward in a blur, to render the final blow. Cologne staggered to her feet, and I could see that half her face was nothing beyond burned, bloody ruin. She leaned upon her staff, and somehow stood upright. Then she raised the staff high in both hands and snapped it. The sky split above her like a yawning crevice in reality, and white-hot fire burning beyond the heat of stars exploded down from the heavens, bathing her and the thing in Happosai's body with the plasma of its passage, rolling out across the wasteland of shattered buildings, destroyed cars and mangled bodies that the thing's rampage had left. Everything within that spreading column of destruction simply ceased to be. For a moment, a black three-dimensional shadow of whatever was touched was caught within the solid walls of white flame like a fly in amber, and then it became dust and vanished. The heat and shock washed over us and threw us to the ground, and when we looked back they and their battleground were gone. She had done it for all of us, I realized in the end. Because she knew that she would die, and she was willing with her death to bring an end. The death of someone close has a way of forcing you to realize things. Shampoo and Mousse returned to China a few days later, wishing Ranma and I the best. I think the only reason Shampoo managed to get through the next year was because of him; perhaps that was where the love grew. Tatewaki and Ukyou I have no explanation for, beyond perhaps the fact that it was his insane, stupid, impossibly brave attack as the thing in Happosai's body loomed over Ukyou that saved her life and meant that any sword he ever wielded would be with his left arm; he never regained full use of the right one. Kodachi somehow managed to come to terms with herself after that terrible day. She and I talk a lot these days; she understands what it is like to have a nightmare you cannot escape. I step into the bathroom and pull off my robe and nightgown, then start the water running in the tub. When it is finally filled, the warm steam rising from the surface, I sit on the stool and douse myself with the cold water. Shivers break along my body, goosepimples rise across the flesh. But the contrast between the chill water and the warmth of the tub always make it more pleasurable. Sighing with delight, I slip into the warmth of the water, feeling transformed by the heat. I slide fully under the water, letting it cover my face and body, feeling my hair flow out behind me. It's not as long as it was before Ranma came, but it goes a little past my shoulders. I like it that way. I start as I hear the door slide open, and then hear Ranma's voice. "Ya know, I thought about it, and I decided maybe I didn't wanna miss this after all." He stands in the half-open doorway, only a towel around his waist, and he's still so handsome after twenty years it makes my breath catch. He steps in and smiles, then lets the towel drop and goes to the sink, filling the basin slowly. He sits down at the stool and pours it over his head, and the change goes through him. I'm almost a little jealous, sometimes. She's still as beautiful as he is handsome, still youthful looking. Of course, she hasn't had to go through two pregnancies and twenty years of being married to Ranma Saotome. She turns and looks at me, blue eyes sparkling, the same smile on her face. "Thought I might get one last look at her before I finally get cured." I can hear the joke in her voice, but the tremulous hope as well. He wants to be rid of it. Oh, how he wants to be rid of it. He's learned to live with it over twenty years, but oh, how he wants to be rid of it. "Stop staring at yourself and get in the bath," I murmur. She stands up from the stool, taking light steps across the tiled bathroom floor, and delicately places one small foot on the edge of the tub. "You know, I gotta say I still look damn good after all the years," she says, glancing back at her reflection in the mirror. "No sagging, no..." I reach up and grab her by the shoulders, pulling her down into the bath with a surprised high-pitched squawk that becomes a masculine yell as she hits and changes, as blue eyes change to grey, red hair to black, soft curves to hard muscle, and his lips and body are upon mine. Later, lying in his arms in the cooling water for a moment, I whisper softly. "It'll be nice to see them again." "Yeah," he says. "I hope it works this time." "Me too." "It must be hard to be something you're not some of the time." "Yeah." "I love you, Ranma. No matter what body you're in." "I love you, Akane." He sighs and embraces me. "We better get some sleep." We do. No more dreams or nightmares come to me in the night, and I arise next morning feeling refreshed. Shampoo and Mousse won't arrive until this afternoon; there is plenty of time to relax. But relaxing isn't my intention this morning. Everyone else in the house sleeps late, and it's in the early morning on the weekend like this that I look at the notebook. It's the other part of the nightmares that I've never told anyone about, like the dreams that always come before them. The nightmare is not silent. My family does not scream in terror as the expression on their faces says they should be doing, but there is always a voice speaking in the background. It says different things every time; I write them down in the notebook and try to make some sense of them, when I can remember them at all. The voice is very vaguely familiar, strangely accented, partially Chinese and partially something else that I have never been able to distinguish. Sitting at the kitchen table with a cup of tea, I glance through the notebook at the scattered fragments of the voice. It does not always sound the same; sometimes it is coldly analytical, sometimes it sounds stricken with guilt or grief. I page through the notes, carefully trying to put together the puzzle. I know the meaning is in here, somewhere. I just have not found it in twenty years of looking. (Sad): ...never... you to... how was I to... (Cold): ...owned twins... (Sad): ..orry. I... I will do what I... (Cold): Spring of the Drowned... distillation to impart both... (Angry): ...mmit! How was I to know you couldn't swi... (Cold): ...memory and personality along with the phyiscal... (Angry): BREATHE! GODDAMN YOU, GIRL! BREATHE... (Sad): ..no. No, no, no... breathe, damn it... (Angry): ...swim and walk! Why couldn't you do at least two of three! (Sad): ...forgive me... (Cold): ...locks perm... sed for... The voice has become more and more indistinct, more fragmented over the years. I did not hear it at all last night. I've always hoped it is a sign that the nightmares are fading. I realize I've been looking through the notebook for nearly two hours now, undrunk tea gone cold on the table beside me. I close the book and put it with the others on the shelf in the living room. No one would really understand it if they saw it. Then I go upstairs to wake my family. I wake Ryoichi first. His room used to be father's. Opposed as Nabiki, Kasumi and I were to Hinako at first, I have to admit she's been good for him. They moved out after they got married five years ago, saying they didn't want the house to get too crowded. Her aging seems to go about half-speed both ways, and they make an odder and odder couple each passing year, but he's at least managed to let go of some of the hurt mother's death brought him. Knocking on the door and hearing no response, I slide it open and step inside. He's sprawled on the bed in a tangle of covers, in a pose so reminiscent of his father it brings back a flood of memories. "Ryoichi," I say, bending down at the edge of the bed. "Wake up." That is one thing he does not have in common with his father; he is a light sleeper. His eyes snap open, dark grey like storm clouds beneath black bangs disordered by sleep. "Hey mom," he says with a yawn. "Time to get up, right?" "Uh-huh," I say, pecking him on the cheek. He makes distressed, disgusted teenage boy sounds and gives me a half-hearted shove away from him as he yawns again. I make my way out of his room and to Katzuko's door. A moment before I put my hand on the knob it opens, and my daughter steps out, already dressed. "Hey mom." She really does remind me of Nabiki more than Kasumi, I have to admit. Her hair is cut shorter than mine ever was, but her skirt and blouse are more daring than anything I would have ever worn back then. "Are you really wearing that?" "Yeah. That a problem?" I shake my head, remembering from experience it's best not to try to impose on a strong-willed teenage girl. "Nope. Just remember that Shampoo and Mousse are here tonight." "They're bringing Long, right?" I manage, thankfully, to repress a smile. Hai Long is four years older than her, an incredibly handsome young man combining all the best features of his father and mother. He spent a few months with us last year as part of his studies, and Katzuko had a crush on him so obvious it is was almost painful to see. "They didn't say." "Not that I care or anything," she says quickly. "I just wanted to know." She darts down the hall past me and takes the stairs two at a time. Ranma is sitting up in bed when I go to wake him, staring out the window at the sky. "Hey Akane." "Well, you're up," I say with a shrug. "So are the kids. I'll go start breakfast." And with that I leave him staring at the sun. My cooking's gotten better over the years, not up to Kasumi's, but then, what is? Katzuko is in the kitchen when I get downstairs, gobbling cereal from a bowl. "I was going to make us all breakfast," I say. "I gotta meet my friends," she says. "Don't have time. Sorry." She finishes the last of her breakfast and takes the bowl to the sink. I walk with her to the door, where she pulls on her shoes and grabs a light jacket from the closet. "Have a nice time, dear. Be back by four; that's when Shampoo and Mousse are arriving." "And Hai Long." "Yes, dear. And maybe Hai Long as well." She nods with carefully feigned absence and leaves without saying anything else. I make breakfast for my son and husband, and watch the two of them become mirror images of the other in how fast they devour it. Then they are up and gone, to the dojo for the morning sparring. Ryochi inherited all his father's skill, if not quite the same level of obsession. Katzuko could not care less about the Art, although she has almost the same potential. She thinks fighting is a stupid way to resolve things anyway; another reflection of Nabiki. She has yet to realize that sometimes there is nothing left to do but fight. The day passes quickly, and I spend the morning going over the accounts for the house and dojo. Classes are cancelled today, but usually Ranma would be teaching from late morning till after the sun set. There's been a resurge of interest in the Art in recent years, coinciding with the gradual upswing in the economic state of most of the world. After the discovery of the technology for the production vats and the extensive progress with terraforming changing deserts and swamps into fertile, habitable land, the fear of the swelling population of the world running out of food and space has diminished greatly. There's even been talk of what terraforming might be able to do with some of the inner planets and moons, over a period of decades, of course. Nabiki talks about it a lot; she sits on the board of the company that pioneered the production vats, and has business dealings with the Kuno family industries, which has in recent years held most of the patents for the process and technology of the terraforming efforts. By the time four rolls around, the house is cleaned and ready for our guests with Ranma and Ryoichi's help. Katzuko arrived home a half-hour ago, wearing a lot of makeup she wasn't wearing when she left the house. Apparently her friends were helping her prepare for tonight's visit. Ranma has grown tenser as the day went by. Nothing shows beyond a tightening of his shoulders and a quickening of his movements, but I can see it in him. I hope so badly that this cure works; after so many disappointments, let this one work. The doorbell rings; I shoo the rest of the family to their seats and go to answer it. "Hello, Tendo-san," Hai Long says from where he stands. "It is a pleasure to see you again. My mother and father are coming." Mousse and Shampoo are proceeding up the walk, the tap of Shampoo's cane accompanying their footsteps. Her leg was wounded in the fighting during the Fragmentation War, when the Communist government in China collapsed eight years ago. But by the end of the Fragmentation War, the government of the Autonomous State of Free China had been born from the ashes, beginning in Central Qinghai and now controlling the country. It had stood alone against the armies of five different warlords who'd tried to gain control, and won. Mousse and Shampoo don't like to talk about what happened during the Fragmentation War, but I've heard scraps and fragments, and stories from Hai Long, even though he was only eleven at the time. Stories of rebel armies storming through the mountain passes and being met with hails of arrows from nowhere, fleeing when they found no targets for their guns. Stories of tanks shattered by blasts of light. Stories of impossible bravery, of a stubborn refusal to surrender despite all the odds being against them. I still have a picture in a scrapbook, clipped from the newspapers, of Mousse serving as Free China's representative as he signs the papers that hand control of Tibet back to the Dalai Lama. Another of him shaking hands with the Lama. The holy man is a combination of aged frailty in his robes and a deep strength that endured more than half a century in exile. The smile on his face is one of pure joy, of a dream finally realized. Hai Long is an impossibly handsome young man, even I have to admit that. His face is a combination of his mother's and father's, the strong lines and slender features that made Mousse attractive mixed with the exotic beauty of his mother's face. He is taller than his father is, too. "Hello, Akane," Mousse says as he and Shampoo come to the door. He has a large bag over his shoulder; as he stops walking for a moment, it rattles slightly. "What's in there?" I ask, pointing to it with a questioning expression. "The end of a certain red-haired vixen," he says with a small grin. Shampoo whacks him on the knee with her cane, although not hard. "Stop making stupid jokes, Mousse. Hello Akane. I hope we're not late." They aren't. I usher them into the house and to the living room. Katzuko almost springs off the couch to throw her arms around Hai Long as if he is long-lost brother; I see his face as he accepts the embrace with the same good nature he did her constant attentions when he stayed here before. Behind her back, Ryoichi and Ranma both roll their eyes almost simultaneously. Ranma rises out of his seat, barely concealed eagerness in his face. "So, what's this about a cure?" "Can't you let them put their feet up for a minute first?" I say with a sigh. Shampoo laughs softly. "He's waited longer than any of us, Akane. I don't blame him for being impatient." "It really works?" Ranma asks, sitting back down as the rest of us do. Shampoo nods. "It really works." "How?" In response, Mousse opens the silk bag and draws forth a thin, high bucket with a dipper and a small, battered kettle. "The Chisuiton? The Kaisufu?" Ranma says. "What the-" "It is a cure that works without actually affecting the curse," Shampoo says. "It works through a loophole. The Free China government recently worked out a treaty with the Musk Dynasty, negotiated through the Joketsuzoku. Prince Herb told us about the cure." "How?" Ranma says. "Ryoga and Mousse, they tried..." "It's so simple," Mousse says quietly. "I'm surprised we didn't see it before. The Chisuiton locks whatever is hit in its current form, but it had to be used with hot water if it's to cure a Jusenkyou curse. The hot water must be boiled in the Kaisufu." "All this time," Ranma whispers. "All this time..." "Funny, isn't it?" Mousse says, but his laughter is bitter. "How'd you ever get something worked out with Herb?" Ranma asks. "He was a majorly arrogant guy, if I remember." "He's mellowed a little since he got married," Shampoo says. "He's not a bad sort, really." "Married?" I ask, feeling strange to hear them talk about these people as if they are familiar, wanting to sound as if I have something to do with this conversation. "Yes," Shampoo says with a slight smile. "To Kima." "Kima?" Ranma says. "Phoenix Mountain Kima?" Mousse nods. "Although she is Queen Kima now." "What happened to Saffron?" Ranma asks. An expression of sadness passes across Mousse and Shampoo's features for a moment. "Saffron was killed in the Fragmentation War. He left no heir, and the position always goes to the leader of the King's Guards. That happened to be her at the time. He was no longer needed anyway, really, not after what happened to the water supply." "I thought he was immortal?" Ranma says. "Not against a tank-gun shell, as it turned out," Shampoo says softly. "It was during the Bayan Har Shan Battle." The Bayan Har Shan Battle is spoken of as the turning point in the Fragmentation War, where the armies of the Free China leaders broke the back of the combined forces of the five warlords who'd united against them. "We thought it was the end," Mousse says, quiet remembrance in his voice. "They were upon us from all sides. The gunfire was everywhere, like stars, they had so many troops, and tanks, and planes..." "Then they came," Shampoo says, picking up the story. "There must have been twenty thousand of them. Saffron was at the head; he'd brought them out of their mountain to aid the Free China army. He was only thirteen." Ranma laughs softly. "I guess they really did raise him right that time." "He'd made his transformation again," Shampoo says. "It was the water they needed, and the spring in Phoenix Mountain served just as well. He singlehandedly destroyed their air support, and was starting on the tanks when..." She breaks off, and I can see the pain on her face, the horrors of the war she'll always remember in her mind and in her leg. "But enough old stories. Talking about it always makes me want something strong to drink, and as soon as we cure Ranma, we can catch up on the past year." Mousse stands up, the Kaisufu's handle in one hand. "I'll get the water. Get ready to be a man again, Saotome." Ranma laughs and stands up, rubbing his hand together, such naked joy on his face that my heart swells with love to see him. "Never gonna be a girl again, never gonna be a girl again..." I can hear water running in the kitchen from the tap, and then Mousse comes back, steam rising from the kettle he carefully holds in front of him. I don't know what it is, some irregularity in the rug, perhaps a manifestation of blindness long ago cured by laser surgery. But he trips, and the kettle flies up and dumps all over me before I even have a chance to shout. The water is very hot, not boiling, but my scream is not because of that. It all seems to happen at once. The impossible looks of uncomprehending horror upon the faces of family and friends, the change as the wings sprout from my shoulders and tear through my blouse, as my body changes and grows taller. As my hands become talons, and the nightmare becomes reality, and more than twenty years of memories belonging to another person explode through my head. The caverns of the mountain, the stone hallways of the palace, the screech and cry of birds. The incredible, impossible joy of flight, of the wind flying through my hair and caressing my body like a lover, the beginning of the service to a child-king whose dictates must be obeyed. A plan gone horribly, horribly wrong, and a guilt that seems to tear at the soul. A name, in Chinese. Akanenichuan. Spring of Drowned Akane. It is like the Chisuiton and the Kaisufu, a thing so obvious it was not seen. Jusenkyou is the Pools of Sorrow, and all stories there are tragic. Why should mine not be the same? A terrible guilt, and an attempt to make things right. The Spring of the Drowned Twins, a ceremony handed down from parent to child since the beginning of Jusenkyou, since the beginning of Phoenix Mountain... To call back the spirit of one drowned in the pools and give it a body. To call back memories and emotions and thoughts along with the physical form. Only once, only once can it be done for each pool, and only for the first being ever cursed within it. And it is so seldom done, so long forgotten. But it was done. What is my name? What is my name... Akimakane- NO! I am Akane. Akane. Akane... The memories are fading, going away now... vanishing like dust upon the wind... ashes to ashes, dust to dust... my nightmare is made flesh... I am Akane, and yet I now have knowledge of what I truly am. Ranma crouches down in front of me. "Akane?" I look at him, and see the fear on his face is gone, and it is only confusion, concern. "Akane?" I nod my head, slowly. The wings upon my back are limp; I am not sure how to work them. "Ranma..." I am weeping, because I know it has to end now. I know what I am. I am nothing. Nothing... He reaches out, uncaring of the talons, unfearing of what I have become, a love so deep shining in his eyes that it hurts me to see it, hurts me because I know I do not deserve it. He embraces me, and the five standing around us are silent as stone. "Don't worry," he whispers. "Don't worry. I don't know what's going on. But it'll be alright. I promise." Sobs are heaving from me. "But I am..." "Akane," he says. "I love you. No matter what body you're in. It'll be alright." And I know he does not understand, and that when he does it may drive him away. But I allow myself to think, for just a moment, that perhaps it really will be alright. Perhaps we will go soon with Shampoo and Mousse and Hai Long and our son and daughter, and we will go to the park that stands now where an expanse of city had been, that stands where the battleground Cologne died was, and lay the wreath woven from lilies and willow branches beneath the tree that grows to mark where she fell, as we have done for the past twenty years. Perhaps it will really be alright after all. THE END Author's Notes: This fic is the result of way too much thinking about Jusenkyou. Throughout the manga we are told of the tragic stories of every pool, of the poor creature that drowned in it so many years ago. It does not, on examination, make sense that you are simply able to dunk someone in a spring and have it take their form, as Kima does with Akane in V37. Granted, it must make sense because it is Takahashi's work, it is canon, and Akane apparently did come through okay. I like to think she did. I really hope she did. But what if she didn't? This idea came to me when I first started Waters Under Earth, but it didn't fit within the scope of that series. Yet it gnawed at me so much that I had to get it out of my head, and there was no way beyond writing. I get a lot of ideas like that...