Subject: The Room with No Doors: Review by the Happy Guy From: gaffney@iconn.net (Sean Gaffney) Date: 1997/02/02 Message-Id: <5d2s98$47a@news.iconn.net> Organization: i-Conn Newsgroups: rec.arts.drwho Boy, is my face red. Apologies to Jeff Beuck... :-) SPOILERS! for The Room with No Doors... Well, I had wanted to have this review be another glowing praise of Kate's books. I wanted to talk about the lyrical flow of her writing, the tie-ins with NAs past and present, the little character moments that made the book what it was. I *really* wanted to say that this was one of the best NAs I'd ever read. Luckily, it was, so no problems there. (Face.) The Room with No Doors is wonderful. There are so many brilliant little bits that I won't even begin to catalogue them all, so let's just go to the videotape. PLOT: The actual plot was fairly intriguing, though for a moment I'd hoped that we never found out what the pod was - keep the mystery alive. But it was the metaplot that made the book. Chris losing the zombie-like behaviour that was so irritating in Eternity Weeps and coming into his own (I mention this here because it's a *big* plot-point.) The Doctor fighting death, then accepting. Joel's moral dilemmas. And the flash-forwards to Lungbarrow and the TV movie. Cool beans. THE DOCTOR: Kate has got Sly's Doctor *down*. (He's tied to her bed right now.) The words just seem to spring from his lips unfettered. Only Steve Lyons has put the Doctor through more hell, yet despite this, he can do a torture scene that is a wonderful parody of all of Kate's other torture scenes. Kate's been communicating with Marc and Lance, so let's hope the Doctor's revelations stay consistent in March and April. What a discovery, and let's hope the Seventh Doctor doesn't get the box. CHRIS: Bad Therapy never really happened, did it? :-) Chris comes to terms with the deaths all around him lately, and comes to realize that he doesn't have to be the Doctor to be a hero. This portayal of Chris is finally matured from the optimistic puppy of early books, and he now seems ready to move on. And we get Shvay instead of Cwedge, as we hear Kate's mocking laughter in our ears. JOEL: Well, this was a surprise. Joel tries to do a Doctor, but gets it all wrong. Done with a surprisingly sparing amount of 90's references, Joel comes across as more real in this book. Let's hope he gets his act together. PENELOPE: Can she appear in a Benny adventure? I *really* want to see more of this woman, who manages to do several 180 degree turns throughout the book. Her reaction to the TARDIS had *me* in tears. THE TENGU/KAPTEYNIANS: All right, I know Kate's never seen Urusei Yatsura, but I *really* wanted Kurama to show up looking for a husband to raise beautiful babies. But that's just me. Nice example of aliens entering into myth again, both before and after the actual myth itself. (How much of Kate was in Talker?) COMIC RELIEF...uh, TE YENE RANA: Let's get serious. ;-) STYLE: As usual, Kate has short bursts of action, followed by interesting respites and character bits. Some of these make the book, and I also find it interesting that the best conversation in the novel is in script format. I read the book in one day, which I've only done once before (Happy Endings), so the style obviously caused no problems. And being an anime fan, the Japanese culture was great. OVERALL: There are so many cool things in here. The snowball fight. The Doctor rising out of the grave. Kadoguchi-roshi, an excellent monk, and nothing like Cherry at all. Just read the book, rather than have me write them all out. And best of all, the important people survive! Wow! A Mr. Mortimore could take a lesson there! 10/10. --Sean Gaff... Oh, right. I'm already writing a long, toadying thank-you letter to Kate, but let's face it: the really exciting thing is that Benny was part of the incident. Sure, use of the word incident makes it sound like I'm a psycho killer, but it's worth it. I GET TO SEE BERNICE! WHOOOPEEE! --Sean Gaffney --"I was very impressed with your handling of the Gaffney incident." - The Doctor, TRWND